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502, Mainz am Rhein: Verlag Philipp von Zabern. Amazones Volneratae: Untersuchungen ze den Ephesischen Amazonenstauen. 10, 62–3, New York: The Metropolitan Museum of Art. Lexicon Iconographicum Mythologiae Classicae (LIMC). C." Forschungen und Funde : Festschrift Bernhard Neutsch, Innsbrucker Beiträge zur Kulturwissenschaft: p. "Nuovo Contributo alla Tradizione Figurata dell'Amazzonomachia del V sec. Robertson, Martin and Cambridge University Press. "New Light on Old Walls the Murals of the Theseion." The Journal of Hellenic Studies, 92: pp. "New Light on Old Walls the Murals of the Theseion." The Journal of Hellenic Studies, : pp. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters. "The Department of Greek and Roman Art: Triumphs and Tribulations." Metropolitan Museum Journal, 3: pp. Attic Red-Figured Vases: A Survey, Revised Edition, 2nd edn. 76, Rome: Instituto della Enciclopedia Italiana. Enciclopedia dell'Arte Antica, Classica e Orientale, Vol. 67b, Cambridge, Mass.: Harvard University Press. New York: The Metropolitan Museum of Art. Greek Painting: The Development of Pictoral Representation from Archaic to Graeco-Roman Times. 99, 170, New Haven: Yale University Press. Red-Figured Athenian Vases in the Metropolitan Museum of Art. "The Nekyia Krater in New York." Metropolitan Museum Studies, 5(1): p.

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96, New York: The Metropolitan Museum of Art. Milne, and The Metropolitan Museum of Art. 65, New York: The Metropolitan Museum of Art.

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Tiny timeline: ancient Egypt and Mesopotamia in a global context, 2nd–1st millennia B.C.E.Richter, Gisela M. Elena FitzPatrick Sifford on casta paintingsīrowse this content A beginner's guide Tiny timeline: ancient Egypt and Mesopotamia in a global context, 5th–3rd millennia B.C.E. Reframing Art History, a new kind of textbook.Not your grandfather’s art history: a BIPOC Reader.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.











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